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Picking the rare gems out of a sea of crap.... so you don't have to!

Movie Review: District 9

August 17th 2009 14:06


Premise: Aliens land on Earth, with their ship settling to hover above Johannesburg. Instead of a delegation or an army, it appears the aliens are refugees and their ship has shut down. They are moved to a camp beneath the ship, which quickly devolves into a slum, walled in and ruled by gangs. Fast forward 20 years, and inter-species tensions are at breaking point. Seeking to control the situation, the government hires MNU (Multi-National United) to evict the million aliens, and move them to another camp further outside the city, where they will not cause so many problems.


All I can say about this movie is... wow. Absolutely incredible. Star Trek blew me away, like only a truly breathtaking sci-fi movie can, and this is a feeling similar to what District 9 delivers.

Script: Mind-blowingly excellent. It raises more questions than it answers, but not through plot holes (which is a nice change). I've been reading alot of criticism of the script online, but if you pay attention and think about things a little, there really aren't very many. Just because the movie doesn't spell everything out for you, doesn't mean it's got a weak script.

The parallels with apartheid, and more recently with the racial tensions in South Africa, are easy to draw, and the movie is brutal in it's portrayal. The lives that the 'prawns' lead are not happy ones, and perhaps more disturbing is the fact that the shantytown used in the set is an actual place, evacuated during filming and it's residents moved to upgraded government housing (oddly echoing the events of the film). The only shack created for the film was that of the main prawn, Christopher Johnson. It's a depressing scene, and the fact that these aliens live the lives that human beings actually lead is never too far out of your thoughts during the movie.


Speaking of Christopher Johnson, the idea of giving such an odd looking alien a human name is pure genius. It's such an ordinary sounding name, for such an odd creature. Over the course of the movie, we come to empathize with Christopher Johnson and the downtrodden prawns more than the brutal and oppressive humans, and by the end of the movie I genuinely cared whether or not they were going to succeed. Some of the merit for that goes to the script, which was surprisingly unpredictable. I went in knowing very little about the movie, and had no idea where the movie was headed. Given the glut of predictable, flimsily-scripted films that I have seen lately, it's nice to be entertained like that.

Perhaps the triumph of the movie is, I hate to say it, the CGI. Being a horror man, I the idea of CGI usually doesn't sit right with me, but District 9 is something special. The movie had a budget of (only) $30 million, yet it easily has the look and feel of a $200 million dollar movie. Not once was the movie let down by weak CGI, from the superbly detailed mothership to the alien exo-skeleton (straight out of Aliens and on steroids) and it's impressive arsenal. There were come excellent moments of brutality that left everyone in the cinema a little stunned, especially involving one of the alien fighting-suits.

Acting: The lead, Sharlto Copley, is not a professional actor. He was a sniper in Alive In Joburg, the short on which this film was based, and has no intention of pursuing an acting career. Despite his lack of experience, he displays some pretty hefty acting chops, and puts in a fine performance. David James plays a pretty mean bad guy, as do the various Nigerian gangsters.

Now, it turns out that Blomkamp was working on the Halo movie adaptation, and when that fell through Peter Jackson came to him and said "Here's $30 million, make whatever you want", with District 9 being the result. I have heard unverified rumors that they took the unfinished halo movie and cannibalized it to make this one... and, seeing as I played a lot of Halo back in the day, I did notice some striking similarities. For instance, the white-ish rifle that the marines use is clearly modeled on a Battle Rifle, and some of the alien weapons bear resemblance to covenant weaponry. Of course the movie has nothing to do with Halo, so it isn't necessary to know this, but still worth keeping an eye out for if you're a fan of the games.

Overall... Just great sci-fi. I thoroughly enjoyed it, and will definitely be seeing it again before it leaves the cinemas.
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Movie Review: 1408

July 3rd 2009 13:16


Premise: A jaded paranormal investigative author (John Cusack) travels around debunking supposedly haunted locales, despite the fact he has never seen a ghost. That is, until he decides to stay at the notorious room 1408 of the Dolphin Hotel, despite the strong protests from the hotel's manager (Samuel L. Jackson).

First up, I am a huge fan of both John Cusack and Samuel L. Jackson, so my perceptions of this movie may be a little biased. However, I don't think that is the reason I like this movie so much.

Acting: This movie is basically a one man show, centered entirely around John Cusack's character Mike Enslin. Mr Jackson puts in a suitably ominous performance as the hotel's manager, but the focus is firmly on Cusack, who puts in a fine performance.

Script: I've read a few reviews that say this movie is illogical... and to these naysayers, I have this response: You can find flaws in anything if you look hard enough. However, the flaws in this movie's script are not nearly enough to ruin it for me. Another thing I like about the script is that it doesn't even attempt to explain why the room is 'haunted'. Alot of movies fall flat when they venture off into crappy explanations, and I'm glad 1408 isn't one of them.

Direction: the directing from Mikael Håfström is pretty excellent. The movie is a tension-machine, and in several scenes it is so thick you could almost cut it with a knife. As I've mentioned in other reviews, I generally like a good mix of tension and gore in my horrors, but this movie shows that you don't need alot of gore to make a great horror. My housemate watched this one with me, and she reckons she'll have trouble sleeping tonight.

Score: I was surprisingly impressed by the musical accompaniment to 1408. A tension-based movie can sometimes fall flat with a dull and lifeless score, but the music used in this one adds immensely to the tense atmosphere... especially the use of The Carpenters' 'We've Only Just Begun'...

Effects: This one is high-budget, and the effects are pretty top notch. CGI is used, but quite sparingly compared to other high budget films I've seen recently. However, it is effective when it is used, and the more traditional effects are also effectively used.

Overall: I have a growing fondness for tension-based horror, based on excellent movies like this one. I'm even thinking about revoking my gorehound status and becoming a terror-maniac. Who would have guessed?

Hey, is that a pig flying past my window?
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Movie Review: Eskalofrío (Shiver)

June 22nd 2009 04:27


Premise: Santi (Julio Valverde), a boy with an allergy to direct sunlight, and his mother (Mar Sodupe) move to an isolated village, where the geography means less direct sunlight and more freedom. When they get there, Santi realizes that there is someone, or something, lurking in the woods. When it starts murdering people, Santi is accused, and must prove his innocence before either the thing in the woods or the villagers target him.

I'm not going to beat around the bush: This movie is fantastic. My DVD was shithouse, and didn't come with the original Spanish soundtrack, only the English dubbing. However, despite that, this movie impressed the hell out of me.

Acting: Hats off all round. Valverde does an excellent job as the protagonist, and we can clearly see the fear and determination in his character. Alot is asked of him, as his character carries the entire movie, but he is certainly up to the challenge. The supporting characters, while not as impressive as the lead, all hold their own, and provide convincing performances.

Normally, I tend to enjoy movies more if there is a certain level of visceral satisfaction. Don't get me wrong, I love tension in movies, but I am still a little bit of a gorehound at heart. That being said, this movie did not have much gore... and I wouldn't have it any other way. We get to see one disembowled animal, and that's about as gory as this movie gets. However, like I said, this film doesn't suffer for it.

There's a formula I have seen developing in run-of-the-mill horrors. For the first third-ish of the movie, we only catch glimpses of the killer/thing/whatever, as the director tries to create a bit of tension. Then, after it is revealed, all thought of tension is put aside and the creature/killer/whatever gets heaps of screen time as it kills off most of the remaining characters.
Thankfully, Eskalofrío avoids this formulaic approach. Yes, for the first portion of the movie, we only catch glimpses of the 'forest-dweller' (trying to be vague here), and the tension is almost palpable. However, once we've had a good look at it, we go back to just glimpses. This is a breath of fresh air, and helps to sustain the tension right up until the thrilling climax.
Also, I read a complaint about the pacing of the movie. I wish I could remember where, so I could tell the author what an idiot he is. By Hollywood standards, the movie is slow-paced. The action doesn't occur well into the second half of the movie. Clearly, the focus is on creating tension, which the movie does highly successfully. The slow pace helps keep the audience tense, and although there is a lack of 'action', this movie kept me engaged and, I have to admit, fearful, which I don't think has happened since I watched Alien for the first time a while back.

This movie manages to combine artistry and tension, and thus is able to shock and awe, which is what you want from a great horror. Pilar Revuelta (who shared in the Oscar for best achievement in art direction for Pan's Labyrinth) served as the production designer for Eskalofrío, so you would expect a good deal of artistry, which this movie delivers. As you might gather from the premise, the movie plays strongly on the struggle between light and darkness, both literally and figuratively. Also worth mentioning is the use of the scenery... this movie makes great use of the forest setting, which is so often under-utilized in the horrors I have seen.

Overall, as I said at the start, fantastic film. I haven't seen El Orfanato yet, but it looks like there are some fantastically artistic movies coming out of Spain (if this and Pan's are anything to go by), so it definitely won't be long 'til I do.
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